Nan Wang

Perception drifts between memory, imagination, and shifting landscapes.

Echoes Between Seeing #2 blurs the boundaries between the real and the generative, the seen and the imagined. Combining analog noise textures, 16mm film grain, travel fragments, and AI-driven synthesis, the film explores how perception stitches together fragments of experience. Hybridized landscapes emerge—neither human nor artificial, neither documentation nor hallucination—inviting viewers into a shifting space of in-betweenness. Here, meaning is constructed not through fixed representation but through flux, where memory and imagination shape what we see.